#Buster keaton movies ice how to
#Buster keaton movies ice full

Falling early in his career, the film’s key cave man role came as an awesome, eye-opening introduction to the big-budget side of making movies. RELATED: How an 'Indiana Jones' documentary accidentally led to cult caveman comedy 'Encino Man'įraser’s sincere, straight-man vibe in Encino Man wasn’t only an act, either. There's nothing that was lost on me in the time that I was in training, and certainly what I remembered about what you needed to bring to a comedic performance: And the last thing that you need to bring to a comedic performance is the comedy.”

“These savant, poker-faced, Chaplin-esque performances…define cinema to this day for the contribution that they've made.

#Buster keaton movies ice how to

“My heroes were Buster Keaton to Bill Irwin at the height of his clowning career,” said Fraser, calling out a pair of greats who knew how to look hilariously serious amid maelstroms of comedic mayhem. In a recent chat with GQ about roles he’s played in everything from The Mummy to George of the Jungle, Fraser said Encino Man viewers probably connected with Link not because he clowned it up alongside Shore and costar Sean Astin, but because he did just the opposite: “The last thing that you need to bring to a comedic performance is the comedy,” he explained. Thanks to his warmly-received performance as an underdog dad in Darren Aronofsky’s The Whale, Fraser is back on fans’ minds this year after a sustained under-the-radar acting stint.

#Buster keaton movies ice full

jungle, Fraser’s fish-out-of-water hero retains a cult following that even has some fans hoping for a Disney+ sequel - a full three decades after the movie’s 1992 premiere. As Link, an unfrozen paleo relic tossed into the teen-dominated suburban L.A.

Her book will be on sale in our bookstore, and we will host a book signing on Sunday, December 18, after the 5:00 screening of Steamboat Bill, Jr.With incurable clown Pauly Shore as his 1990s comedy costar, it’s a pretty big deal that Brendan Fraser’s cave man character in Encino Man is the one that still seems to melts fans’ ice-age hearts today. We are delighted that Dana Stevens-author, Slate’s film critic, and cohost of its weekly cultural podcast-will join us for four film screenings. His character is the perennial outsider who tries to enter the world of white male privilege on its terms, and winds up slipping through the cracks (and thereby the door) on his own.” “As a commentator on the human condition, drawn to the dreamlike in the all-too-real,” Bloch concluded, “Keaton is timeless as well. Their films are featured in our program Keaton in Context. Keaton’s life in vaudeville and silent film through the years of early television is detailed, interspersed with portraits of other early shapeshifters of the medium: Roscoe Arbuckle and his Comique Studios, Mabel Normand as an early woman director, and Bert Williams, who helped integrate both the Broadway stage and film screen, sometimes performing in blackface (as did Keaton). In her innovative, illuminating “zigzag biography,” she places this man “from Nowhere,” born in 1895, the year of the first film screening, in the context of the time in which filmmaking was being invented and roles were fluid.

Almost thirty years later, we present a selection of Keaton’s films to mark the publication of Dana Stevens’s Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century. In all, he is the actor as auteur.” Judy Bloch wrote these words for our 1995 Keaton retrospective. Absurdity reigns in Keaton’s two-reelers, which, apart from being marvelously entertaining in themselves, were fertile experimental ground for gags, stunts, and techniques that show up in pristine form in the features that Keaton variously directed and produced. “There are many ways and many reasons to care for Keaton-first, foremost, and forever, those sublime Buster Bits (as William Nestrick calls them), the ingenious gags and stunts that keep us laughing through our awe. “Those who care for Keaton cannot care mildly.” -James Agee